I am a makeup artist and my favorite brush is from Blick

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A few years ago, a video of Joan Collins appeared randomly on one of my social media. Sometime in the mid-1980s, she was putting on makeup during an interview. In this part, she said: “I use art store brushes.” At the time, I didn’t take it seriously, but later in my career, when I started to use less powdered products and more liquids When it comes to cream products, I think about it more and more.
Generally speaking, when you use products with a liquid or creamy texture, you want to apply them to the skin with a brush made of synthetic fibers, which means that the fibers do not come from animal hair. Most of my professional makeup brushes are made of animal fibers. These types of brushes are suitable for powder products because they stick to the powder, so when the paint is everywhere, you won’t get the so-called sediment. On the other hand, synthetic fibers are not as porous as animal fibers. They repel liquid instead of holding it, which means that it is not the brush that absorbs the liquid product, but the synthetic fiber carries more liquid to the skin. Synthetic brushes from your favorite beauty brand are marked, while brushes from art supply stores are more affordable.
Collins’ hack began to make sense to me. One day, I entered Blick and started playing around. I find that all these unique brush shapes give me more control over liquid products than standard professional makeup brushes can hold.
I currently have four art supplies brushes in my rotation. I probably use them more than my other brushes because they are cheaper; when I use them over and over again, I don’t feel like I’m using them; they get the job done. They are the first dirty brushes in my toolbox. They are all made of Princeton, and all are watercolor pens. (The handles of oil and acrylic brushes tend to be very long; they are usually far from the canvas, while the handles of watercolor brushes are much more comparable to ordinary makeup brushes, so they are easier to control.)
The only downside is that they are not as long-lasting as my professional brushes. In my work, brushes are washed twice, three times, four times, five times a day with a very harsh professional-grade cosmetic solvent, and then at the end of the day, the hair is washed, and then disinfected with rubbing alcohol. So synthetic brushes are not as flexible as some of my Japanese professional makeup brushes. Nevertheless, if you only need a very special shaped brush to get a very special effect, I think it justifies the fairly low cost and short shelf life.
This is the first brush I used in Princeton. It is actually a mixture of natural fiber and synthetic fiber, which is probably the reason I like it the most. It has a nice shape and can be applied to the eyelids with cream products such as Danessa Myricks Beauty Pigment. It just pulls the surface well, I have never seen a makeup brush shaped like this. It can very well place the color accurately on the outer or inner half of the eyelid, so it is very useful for creating what I have always called halo or blob eyes, where the inner and outer corners are darker in color , And the light transmission effect is good and bright in the middle. It is also very suitable for a truly saturated look because it will lay down more product than a regular makeup brush. This is definitely the kind of thing you want to maintain its appearance all night, even in overexposed light that stays visible.
Hazelnut brush #6-she is more like a strong one. It is very suitable for lipstick, eye shadow, and, if you like this kind of makeup, you can also sculpt your eyebrows. I also found it useful for creating beautiful, clean contours, especially on the sides of the nose. It’s also great to make tailoring creases. This brush has a so-called crimped ferrule, which means that the silver part of the fixed bristles is flattened, and it has a long, thin fiber bundle with a round top. I find that I use more and more paddle brushes, the more experience I have, because they can quickly put down the color and stay saturated. They keep the edges clean so that you can blur, or you can keep them beautiful and clear, depending on the mood of the appearance.
This is only a mini version of No. 6. Its fiber bundles are much smaller, making it ideal for more precise lip application. When I made the outer corner of the mouth, I found myself reaching for this, really putting the color there precisely, or applying perfect highlights near the tear duct of the eye. It really caught that small area very well. If someone has a narrow eyelid and you can’t cut the crease with a wider bundle of fibers, this is also great.
Overall, this brush is great for blending. It has a stubby, domed, almost pencil-like tip, which is great for blending shadows-when you draw smoky eyes, the eyeshadow under the lash line. It is also suitable for mixing lipsticks and for very specific spot hiding. If you have a flaw in one area, this will cover a very small area without replacing it with another problem. When you have one of these very specific needs and you need a brush that can do the right thing, an art supply store may be the place to go because they have a full buffet for you to choose from, and you may find Exactly what you are looking for.
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Each product is independently selected by the (obsessed) editor. What you buy through our links may earn us a commission.

Post time: Oct-26-2021